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Mar 2020

Considering this thread has fallen to the wayside (as in, it's not updating every 30 seconds like it was when it was first posted lmao) lemme just throw in some handy tagging so the notifications get bumped @michaelson @Yoon If you guys are still in the office or working from home amid the virus, let's get these bugs squished and features polished! <3

oh boi here comes a double post (and a LONG one at that, get out ur popcorn kids, it's an old man Uzuki novella rant) because it's nearly 4 am here and in my ADHD fueled insomniac rage i just discovered something

i am absolutely 100% going to regret making this post when i wake up tomorrow :laughing: I'm just sorta blind with eureka rage rn lol

maybe y'all have already figured this out in which case, leave it to me to be the last horse to cross the finish line lmao

but like

y'all know how on our main comic pages, if we don't have multiple series, it'll show a Trending tab in whatever genre our comic is ? ( so if your solo comic is a Fantasy comic, it'll show Trending Fantasy, if Comedy it'll show Trending Comedy, etc.)

So at first I was like, hmm, it feels like it's doing a lot more harm than good to have it be a system where it's either "recommended series" OR "other series by this author". Because I find the majority of creators on here have at least 2 series, even if their second one is just like, a shitposting type comic or a gallery for their art, etc. or perhaps an old comic that they've left behind to explore new things.

And oh no. I'm vibrating with 'what if' conspiracy thoughts.

It will only show that trending list on a comic page you are now required to go to by default if you don't have multiple series. This much we already know, but I don't know if people realize just how much this could be potentially affecting traffic.

Because if y'all haven't noticed, 9 times out of 10 they tend to be comics that are already on the front flipping page, either free to read or Premium. And if they're not on the front page already, they ... tend to always be the same comics. Like every time I click on a comedy comic it always comes up with Sarah's Scribbles, Erma, Rock & Riot, Brutally Honest, etc. with one or two slots randomized out to some other comic that's equally as popular (ex. theodds1out, Fail by Error, etc.) Now, I've got nothing against these series, I have most of them in my reading list already (to the point that I suspected maybe it was based on reading list? But I'm not subscribed to Erma. So that helped rule that out).

And it seems that how fresh these comics are doesn't seem to matter either. Fail By Error hasn't been updated since October 2019, there haven't been any fresh comments left on the newest strip. But hell, I thought to myself, maybe if Min's updating 300 to 30, that's helping direct traffic to Fail By Error? She does have more than one series after all.

But then I realized it's been even LONGER since 300 to 30 updated. Since September 2019. No comments left since then. Even the first strip where you'd assume people would start from the beginning hasn't been commented on since November 2019.

Obviously I have no way of checking the actual traffic Fail By Error gets because I'm just going off update dates and comment engagement. That being said, Fail by Error's been on and off with its updating for some time (for good reason, Min is a very busy woman lol) and it seems its getting most of its traffic just from being in the Trending tab for Comedy series on just about every Comedy comic out there. It's usually on the Popular page as well, albeit further down, but... still. Still there. Which wouldn't make sense if that Trending tab is based on actual Trending results; and yet it does make sense if they're intentionally putting them on the Trending tab. It's like some paradoxical loop. But hey, Fail by Error was super popular when it regularly updated. Maybe it's getting reposted and meme'ed somewhere. Maybe Tapas posts their older strips to the Daily Feed every now and then, or maybe they have a little blurb on the app.

Rock & Riot is in the same boat though. It hasn't updated since 2017. To be fair, they have Project Nought as well, but it also hasn't updated since 2019 and it was basically a departure post as they got a book deal (like to publish physical copies) so we'll probably never see it free to read online again because they'll be trying to actually sell the physical books. Still, 2019 isn't that far away, and the same can be said about Min's currently quiet series that have both at least updated in the last 6 months.

And then I saw Treehouse in the series landing Trending tab.

Treehouse hasn't updated in five years and neither has the gag-alternative Branches, which is published by the same creator. In fact, the creator made an update post two years ago saying he was working on the next chapter of Treehouse, but a new full time job as a dad was keeping him busy (completely understandable lol). That was two years ago though, and Treehouse has, unfortunately, not updated. I really liked Treehouse so this makes me sad :frowning:

BUT WHY THE FUCK IS IT IN THE TRENDING TAB /FURIOUSLY TAPS MONITOR SCREEN TAPAS EXPLAIN. YOU'RE RECOMMENDING COMICS TO PEOPLE THAT ARE NOT ONLY INCOMPLETE, BUT WILL LIKELY NEVER EVER EVER FINISH OR HAVE A CONSISTENT UPDATING SCHEDULE EVER AGAIN.

In the comic subpage, Popular and Trending seem to be the exact same thing btw lol like I see some variety, but to no surprise, it's usually the same comics dominating the top rows, just shuffled around in order a bit. I think this much we were already more than aware of though, the Comic section of the website when sorted by Popular/Trending is basically just the front page, but organized into one big list.

Y'know what was really fun btw? It was way more difficult than you'd think to find a Trending tab. Because most series I clicked on in the Comic browsing section were free to read, and surprise surprise, the MAJORITY of free to read creators have more than one series, so voila, lack of a trending tab. Over the years I've always found it to be like, a 75% chance that a creator has at least TWO series under their belt. Obviously that stat is pulled out of my ass, but it's not based on nothing, I just find it to be extremely common, and for good reason - doing multiple comics is easy to do when you're not being paid and on contract to focus on just one story, and for many of us, we enjoy dipping our toes into multiple genres. We also enjoy having a 'side comic' to do when we're feeling artist's block on our main series or just want to catch a break from it, even just for a few hours. Many story-focused creators have dipped into the realm of comedy strips, and vice versa (when I started here on Tapas it was gag strips and now I mainly do fantasy, with some gag strips here and there whenever I'm in the mood). Lots of plot-based creators also like to do little side gag-style mini strips that still use the characters and universe from their established longform series (I'm gonna mention it twice in this post btw, but Treehouse is a good example - Treehouse is the main series with a plot, and then there's Branches, which is a sort of little side series that's not as serious and more just for fun character exploration).

So when it comes to the lot of us trying to get into trending in some regards, you'd think the trending tab that's genre specific and right next to other relevant comics would help us out because your genre isn't being pitted up against a completely separate one. But it really doesn't, because it's always the same regurgitated shit, often times with comics that are no longer even showing a pulse, and that's assuming the Trending tab even shows up in the first place. So not only do you have to worry about competing with the comics that are practically automatically pinned to just about every genre-based Trending tab in addition to the front page and Trending vs. Popular categories, now you have to worry about even being seen on the free to read comics, regardless of their popularity, because if they happen to have more than one series, something that's completely out of anyone else's or the website's control, that Trending tab is gone. Kapoot. And even if there is a Trending tab... see above. Now you're gonna get recommended Sarah's Scribbles for the 7834978593th time.

Screw it, with Treehouse in the Trending tab, your alive and well comic that you've been consistently updating for lord knows how long is now up against a dead webcomic that hasn't updated in five freaking years.

Priorities???

And then there's Premium series. Believe it or not I have the least to say with these. More often than not there's usually a trending tab right on their page (as many - disclaimer, not ALL - Premium series are solo), and they're pretty much ALWAYS other Premium OR free to read BUT mainstream series that I just saw on the front page or on someone else's series landing trending tab. So there's a regurgitating cycle of traffic getting passed around like a fucking hot potato, from series that are already prioritized to be just about everywhere.

As people have been reporting dipping traffic since the update, and a now-obviously-messed-up front page with strange, out of wack priorities, I can't help but feel this is just another part of the website that was done intentionally to screw with us lol Call me crabby all you want but I'm legit not accepting "the algorithm does it" arguments anymore because of those dead series showing up and getting re-fed traffic that automatically puts them right back in the tab. I know Fail by Error and Rock & Riot are all popular and great comics, but that popular that they show up in trending no matter what every week, on every single comic that pertains to their genre? Are you guys posting their old strips in the daily feed or something??? If you come at me saying that it's NOT the algorithm then that just makes it worse because that means you're intentionally planting the same rotation of series in there.

Again, maybe y'all have already figured this out. But I'm hoping putting it into words so concise and in-depth it will help us all realize the actual gravity of this new system they've been slowly spoonfeeding us the last couple years (and then with the update they went too far and accidentally choked us with our own spoon lol). Especially for those who haven't actually thought about it or realized it yet.

The more I looked into it, the deeper the rabbithole went and the more I felt inclined to word vomit it here. As I'm sure many of you have assumed from the earlier post where I tagged the admins, I don't want the staff thinking we've just forgotten lmao (especially considering how silently they dealt with that Lost and Found S3 BS a few days ago, which they never actually commented on lol it was proooobably, i say in hopeless denial, just a bug). Because a lot of us are still experiencing the fallout from that frigging update, from faulty - some ripped away entirely - features, to creepy crawly bugs that are constantly breaking social distancing rules by being less than 6 feet away from our business at all times.

Tapas, give us all the Trending tab, and for god's sakes fix it so that it makes sense and isn't recommending us the same series on every page, alongside dead series just because they were household names at one point. That's not cool to the series that are now alive and well and could possibly become household names in their own right.

I'll say it again that I have nothing against the creators or their comics that show up in these tabs, many of them I have in my own reading list and enjoy reading when they update. This isn't a problem I have with the creators or their work, this is a problem I have with you, Tapas. I used to love this place, anyone who knows me well enough can attest to that, and now I'm just feeling sorely taken advantage of. I know many of the devs don't have actual control over what they can do because you have investors and the like who want to see things a certain way, with their money and your future as a company as the hostage negotiation. But this isn't Tapas. This isn't the website I fell in love with in high school all those years ago, with all my dreams and plans for the future just a mere twinkle in my eye. Is it not too much to expect more out of a website that we put our time and effort and work and passion into? (and for some bring heaping pounds of traffic into giving you guys free advertising and clout with our free labor /cough cough) Many of us chose you as our first and foremost exclusive platform. Many of us stuck with you for years (through so much bullshit, from the website creators and the community alike). Don't make me regret standing up for you guys when I did, through all that was high and low. This isn't where I wanted to see you guys when you were still budding and small and I know you have the capabilities to do better because that's what I believed when I first came here - and now that trust and hope is really being worn thin. Give me, and the lot of us, a reason to hold onto that hope and loyalty, to stand up for you guys when you make mistakes, and not regret it.

Thanks for coming to my 4 AM TED rant. Thanks for wasting like a good 2 hours of my life from scoping shit out and mad typing this post at 136 words/minute, Tapas.

I don't want to move.
I don't want to be mad.
I want us all to be a happy family.
I have always been proud of Tapas, the community and the site.
I wish to believe in the sweet talk coming from @michaelson

But I keep seeing another reality.
The trending is broke.
The overpromotion of dead popular series.
The redesign was rushed.
Premium creators complaining too. (Did they even get a warning?)
Support and Subscribing feature being hidden.

And speaking of Support.
This CRITICAL one newer got answered???

Remenber this one? The one that almost got the last Inksgiving in trouble.

"Know the tree by the fruit it bears"
Please Tapas. No more sweet talk.
Either you did a fail job or you did it on purpose!

I would love to stay here. All my content on my series is heavy influenced by my stay at Tapas.
I call myself a "Self-claimd Tapas Exclusive" because I want it to be like that.

I do not feel that I belong anywhere else. So please take good care of me.

I know this has been said already but hiding the subscribe button should be fixed. Please. It's hurting the series a lot.

I got over 500 views this month, the peak for my series, but only 7 new subscribers. Of course there are many reasons as to why people sub or not but I just have the feeling that the hidden button is a big part of this. If a person doesn't see the subscribe button right away, they're not going to start looking for it. They move on.
Please just change the button to a visible spot. Such a critical feature shouldn't have been hidden in the first place.

To piggyback off what you said about the trending tab, and I am with you there with the Treehouse thing (I was gonna give it a chance, but then I found out it was unfinished), a lot of the recommended series are so far above at my series as a super small creator in likes and views that it can be discouraging and very disruptive. Rather than a "trending" it should say "comics like this," with this referring to the comic you're presently on. And that should mean something. If my comic is under 200 likes, the recommended comics under it shouldn't be in 100k or 200k likes, it should be in the 100-300 like range. This over emphasis on really popular comics, while understandable, is adding to this feeling of competition between bigger creators and smaller creators, at least to me. Before, I wasn't really worried about comics with more likes than mine because they were at the bottom of the webpage (where I didn't often look) or on the front page of the site(where I also didn't really look). And I'm tired of seeing these trending, dead comics. I loved Rock & Riot, but I also read it after it ended, and didn't think I'd have to see it as often as I do.

I have seen a drop in my views(March without a few choice reviews was going to be my worst month in views in months), it's likely because of a few other extenuating circumstances outside of just the website changes, including coronavirus outbreak and my comic going on hiatus for a month. But even so, when I wasn't updating for a six month period I was still getting steady views and some subscribers.

One of the things I wish we had was the analytics on where the views on comics came from. It would help with understanding how to advertise. Especially in that period where I wasn't posting anything, I wish I knew where the consistent views were coming from because I wasn't in trending, I wasn't in popular, I wasn't in fresh, and I'm not a premium comic. I just wish I knew. Anyway, that's my rant.

Tapas pulls a comic out of a hat.
It's Lost and Found.
"Again?" Tapas asks
Hat falls to the floor.
They're all Lost and Found.

Eh, it's still only been 3 weeks since the revamp. Even during past revamps it took awhile to address all the bugs and iron out the wrinkles (which I'm guessing is what's going on with side trending displays). And since it was a bigger revamp this time, that means bigger wrinkles.
And with the global crises in wellness and economics, I'm not surprised it's taking a bit longer for things to get worked on.

I just hope Michael and all of the Tapas staff are safe and healthy.

I'm also hoping that the whole team is safe and healthy!

I don't doubt they're eventually gonna bring it up to the Webtoon standard...but...21

Here's my whole issue with them having to fix all these bugs and glitches: None of this is necessary, because this redesign in itself, at least how I see it, was unnecessary.

Like, I don't recall people saying "Man, I like this website, but you know what it needs to be like: Webtoon!"
In fact, there's many people here who said they liked this site because it was not like Webtoon, or the redesigned SmackJeeves (which is essentially watered down, hardly functional Webtoon).

And add to this the problem with the algorithm I've been hearing about (people saying they're having less views, subs, same premium comic recommended over and over) that I honestly can't even really wrap my head around...like...was there even a look at this thing. A opinion about it? Or was a "redesign first, take (and maybe ignore) questions later" situation?

At the end of the day, I feel bad for the web designers as I feel they're being forced by investors, or somebody high up who doesn't know what the hell they're doing. But damn...they and the comic writers impacted by this have a long road ahead of them...

...a road that we'd never had to have taken if we just stayed with the better design, and more gradually implemented (and also, TESTED) new changes and features.

lol IDK if it was aimed at that but my conspiracy post was not me trying to be deliberately inconsiderate of Tapas staff and their own goings-on.

Listen, guys, I understand that right now, the world is sort of on fire and the economy isn't in a stable place. People are losing their jobs, being required to work from home, or being made to go into work in dangerous conditions due to being 'essential'. People are stressed and have even more going on in their lives outside of work. I understand that Tapas staff has been working diligently since that update was made (and yes, it hasn't been that long since the update was made, and two of those weeks have been spent with worldwide lockdowns being made and the workforce being ground to a halt). The current COVID-19 crisis has certainly put a wrench in a lot of Tapas staff's plans, both related and unrelated to the office.

But as time goes on, things will be forgotten. Priorities will shift. And now's an important time to reflect and remind Tapas staff that just because the discussion isn't updating every 30 seconds, doesn't mean it's not a problem anymore. I've already seen a multitude of questions and concerns in here that have gone skipped over, even after being repeated, entire threads even where Tapas staff has left the thread to die with no response. It might not be their intention, but from a user's perspective, it looks like the equivalent of ghosting.

Again, I understand the coronavirus has slowed a lot of things down, and even without it the Tapas staff has a lot of moving parts and stuff going on.

But it's the lack of communication that's got me and many others beating our heads against walls. And when that communication does happen, it's basically up to a coin flip whether or not we see a corresponding action.

The point of my post was to highlight some major issues with the current ecosystem of Tapas and how it's been slowly but surely becoming a scrubbed down corporate version of the vibrant place it used to be. Because even if Tapas isn't going to make comments on the subject, either due to not being able to due to the current worldwide crisis OR as simply as not being able to because yes, there are certain things Michael and Yoon apparently "can't comment on", that doesn't mean we should just forget about it and put up with it.

Despite demand, banners haven't been brought back. Novel formatting tools are still as watered down as can be. Thumbnails beyond the series landing page are no longer visible. Tags aren't even visible on the comics anymore (I'm feeling really bad for Harry Bogosian rn, a lot of his storytelling in A BETTER PLACE was done with tags you could read and interpret and it made it a really cool ARG - 'Alternate Reality Game' - experience of sorts. And I know he's not the only person to do that.) The front page is constantly the same genre/series that rotate through the banners and Trending and Recommended sections, regardless of whether they're Premium or just 'mainstream' free to read comics (again, Sarah's Scribbles, Fail By Error, etc. all of which I still keep seeing on every Comedy genre comic landing page, regardless of how small fish that comic may be). The music player isn't available on the app.

Basically any kind of individual expression that added to the unique experiences of each comic on this website has been scrubbed down so clean that all you can see is bone. Maybe it's presumptuous, but from my perspective, it's very obvious that Tapas is trying to bundle us all together with the same styles, formatting, and expression so that they can make it easier to sell us as a whole to investors.

And I feel that if Tapas' can reserve the right to give bare bones customer service voice explanations to very reasonable and justified questions, then the community should reserve the right to make informed decisions about their future here and whether or not Tapas is a place where they can grow.

I just happen to be doing some of the informing here. You can say that it's based purely on emotion, but the fact of the matter is, I've been here since 2013/14. I'm not some newbie coming in with conspiracy theories or some asshole being an asshole for the sake of it, I've been here for six-going-on-seven years - and stuck by Tapas and all its decisions through a whole darn lot of it - and so as a result, I've seen a lot of shit, from both Tapas and the community, for better and for worse, that has continued to shape and reshape my perspective and opinions of the website, based on a solid history of repeated experiences with the platform. And I'm not the only one - the proof is also in the veteran artists who would have been here just as long, if not longer than me, who've already left as a result of Tapas' actions and behavior these past few years. Just as I have the right to either leave this website or ride it out hoping for better (which obviously includes a lot of demanding btw lol), so too does everyone else here, and you can't make that decision without being informed.

To be perfectly honest, the lot of you like to say that our opinions don't matter as much, because the forums are only made up of about 50-100 people. But on the flipside, Tapas should consider themselves lucky that the forums aren't more commonly used by the public at large. They think it's stressful when 50 of us are bumping the same chat for hours on end? Try thousands. Because I guarantee you we'd be seeing a lot more mixed opinions if the forums were more accessible or advertised. Why do you think we see less complaints about LINE Webtoons compared to Tapas? Because they don't have a forum. Anyone who makes complaints about LINE comes here, for god's sakes. Give people an outlet, and you'll see a lot more discussion unfolding.

The fact of the matter is, I have the right as a user who brings free to read content to the platform to disagree with Tapas' methods, as well as their responses to said methods when they're called into question, as much a right as all of you, because like many of you, we're providing a service to Tapas with the traffic we bring in, many new faces who may have never even HEARD of Tapas without our help, alongside the work we post so that the website can actually have comics to showcase to the public. Back in the day, before Premium was a thing, it was Prime, and those users were only different in the sense that they got Ad Revenue. Then Premium came along and Ad Revenue became accessible to everyone, which is great - but on the flipside, a lot of our work is now getting intentionally buried in a system designed to favor the mainstream and trendy, because it brings in the most money. But they would have potentially never gotten the seed money to expand their services to include Premium contracts if it wasn't for the massive library of comics and reputable creators we had here. Could you imagine Comic Fury trying to go for investment options? To be fair, it's run by one guy, but I'm p sure the only reputable comic I've seen on that platform is Keiiii's Heart of Keol. And I'm not entirely certain if they're still mirroring there.

Yes, Tapas is a company. They need to make money.

But it's the way they've gone about it that's entirely disingenuous. I would have no qualms with Premium series if we weren't being made to feel that it's Premium or nothing. I would have no issues with the ink system if it wasn't so questionable in its conversion process that has already raised many eyebrows. I would have no issues with a few buggy updates here and there, Facebook just updated yesterday and its app has been baloney since this morning.

But it's the lack of transparency and communication. The fact that every answer to each question is either a generic, soft-boiled customer-service-rep response, or a rigid "sorry we can't answer that question". So where are the people who can? Why are we seeing less and less from the PR side of Tapas as time goes on and why is it that we only see it when shit hits the fan? Why can't there be good news, either of the current goings-on or what's to come?

Tapas needs to re-prioritize what they really want for their platform as a website/app and as a brand. They absolutely need to find a PR specialist who can retrain them on how to engage with their community, because it's obvious after becoming so corporate these last few years that they've fallen out of practice.

And if they do re-prioritize and that idea of what they want Tapas to be is not something I'm comfortable with associating with? I'll definitely take advantage of the door. Honestly, depending on how staff responds to this, if they ever do (I understand that I'm not the most conventional person to have a discussion with lol) this is probably going to be the defining moment as to whether or not I continue to use this platform. I was fine with not getting rising statistics out of it (for any of you who've seen my recent thread regarding a personal sub count that's been practically locked in place for a record 4+ years, you know what I'm talking about lolol) but if I'm not getting joy out of it, that's when I draw the line.

And if you guys come to a similar decision, whether it be tomorrow, a month from now, or years from now, please don't ignore your freedom to do so.

That being said, we're also free to stand up and demand better because the majority of us make up this website as users who do Tapas a service of providing our work, in bulk, for free. Some may say that yes, they do a service by providing the platform ... but they're not the only platform out there. And unlike other platforms, Tapas seems to have made it their mission to give us less and less reason to continue posting here. At the moment, the giving/taking ratio is very skewed between the userbase and Tapas. I understand that Tapas wants to be able to provide options to creators to make a living off their work through things like the Ink Support System and Ad Revenue, which is supposed to separate them from other platforms like LINE, SmackJeeves, and ComicFury ... so why make it so hard for us to actually get visibility and hit those markers we need to hit to actually get paid out? I can't even remember the last time I was at the $25 benchmark required to pay out. It's been at least two years and I'm giving it a gracious estimate based off the top of my head, I'm fairly certain it's been far longer than that.

Don't form connections with corporations or let yourself be held down by some imaginary obligation to a relationship that doesn't exist. You can still cherish the memories that come with this place, but don't think for a second that you don't have a choice or that every decision you make is penultimate. Give yourself some credit for what you brought to the table, because if you hadn't, those memories wouldn't exist in the first place. Don't let Tapas take all the credit for them - if you hadn't made those memories here, not only would you not have noticed, but you would have made memories that were just as valuable - if not more so - elsewhere.

Explore your options. Do what's best for you and your work, because both you as an artist and your work, something only you could possibly create, deserves better.

And most importantly, be informed. Ask questions, and then ask them again and LOUDER when they aren't heard. Be patient for those answers when you have to be, but don't settle for ghosting or for plausible deniability (i.e. "we can't answer that question"). And for god's sakes, whatever decision you do make, please stick by it. Responses from staff are great, yes, because it's more than some companies will provide - but please, for the love of god and all that's holy, don't reward them for the bare minimum of responding, because that's all it's become at this point. That's like if your kid painted all over your walls, you yell at them, they respond "oh whoops i painted on the wall" and you go "OMG you're such an angel, i forgive you, don't worry about it!" I'm not saying don't ever move on from these issues or don't come to an understanding with Tapas, but don't forgive them just for responding. Forgive them when there's enough time for them to have taken action and stuck to those actions, including in their future decisions.

I mean jfc why do y'all think I'm so unapologetic towards Tapas at the moment, when years ago I would have stood up for them at every turn? Because after years of those mistakes stacking up, they've proven that they think rectifying issues they caused should be bare minimum for satisfaction. I don't want to just see them fix the issues they caused, I want to see them learn from them so that these issues don't happen again. And the fulcrum of their issues is sans communication, next to lack of transparency and honesty. The unannounced and buggy-to-hell/watered down/LINE Webtoon copypasta website updates and the lack of visibility towards smaller 'non mainstream' comics and the like are all just the tip of a much bigger iceberg.

Thank you, and I hope you're all safe and healthy in these times.

The Jontron reference is perfectly appropriate. Now I obviously need to watch the FlexTape video all over again for the 10000th time :laughing:

Yes. All of this. Thank you.

Now most of us are aware that for many companies, especially smaller ones that need investor support, the start of a new fiscal year means they need to crunch to put out new ideas/new features/etc. so they can keep their investors' interest and money as well as draw in new ones. You need to be able to keep up with a changing market and changing technology, etc. and if you can't do that as a company, no one's gonna want to stick with you or take a risk with you. That's why we tend to see a lot of updates - sometimes very sudden and questionable - this time of year. Twitter recently (I wanna say finally because who tf doesn't these days) added a Stories function to their app, from what I've heard. SmackJeeves got bought out and underwent a huge - horrible - redesign. As I mentioned in my last post, Facebook just underwent an update that I haven't noticed on desktop because I still use the Ponyhoof mod like the 13 year old I am; but on mobile, the app is slowing and crashing anytime I tap on anything lol

But see, these updates are supposed to bring something new to the table. Something to put them ahead of other companies or at least help them keep up (/cough Stories /cough).

Tapas had less to offer with their new update than they did before. There are a lot of removed features which have already been discussed and demanded to be brought back.

'Unnecessary' is a very underestimating but choice word to use because 'unnecessary' is the best way to wrap it up as simply as possible without me going into another novella rant. It's 3:30 AM here rn and I'm tired and I wanna work on my comics lol

Literally the only function of this new update was to remove what separated them from every other platform - and could have put them ahead of other platforms - in the first place. Now it's just LINE Webtoons Clone 3.0.

It makes me think of all the tattoo artists out there who've ripped off other artists' beautiful pieces to copy for themselves and only replicated 1/4th as good. Because they didn't have the skill set and didn't know how the original got to that level of quality in the first place. They looked at LINE and said "well that works, do that" without looking at all the personal steps and years of refining LINE had to take to get to where they are today. And as a result, it came out as poorly as when you run a sentence through separate languages in Google Translate 2 or 3 times.

Doing just that is literally Artist No-No Number 1! Don't compare yourself to others and assume you can do exactly what they do without putting in the same amount of work they had to! Aye caramba.

Naw it wasn't aimed at you @UzukiCheverie

I was just airing my general concern in the previous post over this whole 'perfect storm' of sorts
with 1. the revamp that was most likely at the behest of investors.
Because let's face it, investors usually aren't involved at all with the industries of the companies they're backing so they ask for things that aren't necessarily the best. Graphic designers will know clients ask for the worst things sometimes and even if the pros give all the reasons why X thing won't work, the clients still want their original wish list.
And who knows what investors are saying right now with the current outlook for the economy because of the pandemic.

and 2. staff response.
I'll be honest, I'm just plain worried about Michael since up to this past weekend, he's been fairly responsive, especially when tagged.
I wish there was a go-between for the Tapas company and the users of the site, at least here on the forums. It's a shame that Michael has to do most of this leg-work keeping in touch with us when he has other tasks.

(and don't get me wrong, I'm one of the people who hate the site redesign)

Yeah, all of those concerns are perfectly valid.

If I can put it simply, I don't think Tapas did a great job in choosing their investors. Maybe they didn't have much to choose from, seeing as how webcomics aren't exactly a booming economy with investors crawling over each other to get first in line. But it's very obvious that if their investors had a hand in this, they are extremely disconnected from what they're seeding their money into, to a very obvious extreme (to the point that it's almost concerning? Like y'know the decisions you're making could actually ruin you and lose your investments?) And that probably comes with the fact that again, webcomics aren't a booming economy. How many of Tapas' investors actually know what they're putting their money into?

Hell, I remember Michael telling the mod team (back when I was on it) a very funny story about him as the Editor in Chief explaining to a bunch of suited up investors what "Boy Love" was and why it was the upcoming trendy thing. Like just picture that lol These are the people making decisions for the company :laughing: I know that obviously Michael had to do a lot of legwork to get them on the same page and convince them it would be a worthy investment, but maybe don't put those same people in charge if they had to be fully explained what they were putting their money into? God, people with expendable income can be so dumb.

Honestly, it all brings to mind a very strange - but I promise it make sense - comparison to one particular video game company - Hello Games, the small team that developed No Man's Sky.

Do you guys remember when No Man's Sky came out? Despite its delays, people were so excited for it. And then it flopped because it was obvious the developers had bitten off WAY more than they could chew, they didn't have any PR to keep them from saying stupid shit (the lead developer did most of the talking and it lead to a lot of miscommunication and things getting blown out of proportion because he's just not a public speaker or used to dealing with the media), and the game, as a result, was full of bugs, and only had a fraction of the features they had promised or the gamers had been lead to believe would be in the game thanks to the lead developer not knowing how to word things very carefully to an eager press ready to blow up headlines.

We've seen these fallouts time and time again (no pun intended, another good example is Fallout 76, which did NOT recover well from its mistakes btw and they keep making more of them). We expected No Man's Sky to fall to the wayside and we'd remember it as this horrible game that failed miserably.

But guess what happened?

The developers got back to work. They went silent. They stopped talking to the press. People assumed they had abandoned the game and they couldn't count on it ever being fixed.

And then, months later, a patch released.

All the major concerning bugs, fixed, with fixes for the smaller ones on the way. A handful of promised features were put in.

And all those updates were free to those who had already purchased the game. They didn't have to pay the company more money for the mistakes they had already made.

And every update since has been free. No DLC paywalls. No microtransactions. The game comes as it is with its improved patches, for the same price as it was upon release.

And now No Man's Sky is a legitimately great game.

Right now, Tapas is at a crossroads, where they're currently No Man's Sky upon its initial - failed - release, and they can either keep being like Hello Games and get their shit together, or they can become Bethesda: saying things like "we can't answer that question" or ghosting in a way that says "Well we know it's a problem, but we're not going to do anything about it". I want to see them do better by being Hello Games.

I can't perfectly make the comparison without rambling, so if you have the time, I highly suggest you check out the Internet Historian's videos on both Fallout 76 and No Man's Sky and just compare them. Yes, the videos are a bit longer, but they're absolutely worth a watch (especially if you're into gaming and, in Fallout 76's case, really hilarious roasting sessions lol). Hopefully, if you do take a look at them, you'll see the full reasoning as to why I've made the comparisons and why I know Tapas can do better.

As it currently stands, assuming much of this is investor based (which is painfully obvious), it's clear that Tapas just doesn't have a good relationship or aligned priorities with the people seeding them money. And as a result, it's being led astray by people who probably didn't even know what a webcomic was before Michael sat them down and explained it to them. It's a big assumption to make but can you really say you don't suspect the same, even by the slightest bit?

And yes, I'm worried about Michael. I'm worried about Yoon and all the devs who have been here from the start who are obviously under a lot of pressure to satisfy investors otherwise lose their jobs. Most of all, I'm worried about their passions being exploited and distorted into something unrecognizable. Because believe me, I can practically hear the reservations and uncertainty coming through in some of the dev's posts when they post. I can genuinely tell that many of them wish they still had the power to tell us things, and keep us updated, and actually discuss the platform's quality and future with us, but they're now obviously in a position now where that's no longer possible.

They bit off more than they could chew and they've lost sight of their destination along the way :confused: It's really, really discouraging to see.

But it's been years now. Maybe it hasn't been long enough, but I'd like to see Tapas soon be in a position where they can 'shop around' more for their investors and who ends up on their Board of Directors and as a result, get investors who actually know what they're putting their money into and how to get the most out of it in a way that's productive for them, the company, and its users. Because it's obvious the people that are there now haven't the slightest clue. Tapas may not have been around as long as some of the other corporate giants out there, but they're not a baby company anymore; they're growing up now and it's time they started putting on their big boy pants and flexing their own decision making lol

Yeah I've seen IH's vids and have been keeping up with Fallout's saga with Angry Joe's rants and news updates. xD

But hopefully Tapas will enter that 'silent mode' and work on things in the background. Maybe this is the start of it? Still, people will go on about their reticence until results are shown. Certainly Tapas needs to be held accountable but boy, damned if you do, damned if you don't. -sigh-
Everything's just so up in the air right now the world over and it's quite depressing.

Yup, that's the hard part. Maybe it's 'too soon' but it's like what we're going through now with quarantining. People are gonna follow quarantine rules and then not see instant results - they're gonna see cases go up, in fact, as testing becomes more available and symptoms start to show, but it just means that we're actually identifying those cases now - and think "UGH QUARANTINING ISN'T WORKING." It is. Just not in the way that you think it is.

In Tapas' case, if they go silent, it's definitely gonna be "damned if you do, damned if you don't". Maybe they don't need to go DEAD silent, because I literally just highlighted all their communication problems above LOL but if appearing to be the bad guy for a while means they get their act together in the long run, I'd be content with that. Lord knows I'll probably still be here by then, despite all my complaining. But I know it's the public as a whole that's the concern. And making sure Tapas doesn't go under in the meantime.

But that's if they're even working on it. There's so much going on right now, it's hard to perceive what's in our future and in Tapas'. I just know that as it is right now, it's not working. They can't keep doing the same thing expecting it to eventually work out.

I'd like to think that if they're not already at a turning point, all this backlash whips them into one, because they desperately need it, for the platform, the community, and the staff's sake.

But at the same time, while I feel bad for the devs, I'm not going to start forgiving the decisions that have been made - and the complete lackthereof on the flipside - until concrete actions are put into place, even if it's not for a while. It might seem crass, but in my honest opinion, I can empathize with the devs and still hold Tapas' actions accountable. Just like how I can feel bad for someone but still have the expectation that they need to get their shit together if they want to continue a relationship. Because constantly forgiving and feeling sorry and not expecting better is how you end up with complacency and mistakes being repeated over and over and over again. It all goes back to what I mentioned above about our rights as users to decide whether or not its worth weathering the storm. Especially if that storm may never have a breaking point.

We'll see how the next few weeks go for sure :slight_frown:

And now we wait for the harvest....

I do hope the silence means they're working on a fix and not because something bad is going on.
I still believe in tapas and I hope it will once again become the amazing place for comics it used to be.

It's a learning curve, companies that rely on their audiance need to interact with them. I think Tapas thought this layout change was amazing and we'd all love it, so they didn't discuss it with us in order to surprise us.
However, things that change drastically aren't always welcomed, and big things should be discussed beforehand.

But from here on things can only improve, I wish the staff all the best and please stay safe.

Can't we just go back to the previous version?

I really miss it and this version is really tedious to navigate on a daily basis. It lack a lot of things and its so bland. if it wasn't for the author that are still there I would have been gone at least a week ago.

I feel less and less that I'll be able to stay on tapas any longer.

That would be great.
As the good old quote says 'If it ain't broke, don't fix it'

And yes, I know many people abandoned tapas. I did too, however I keep checking back to see if there are any updates. I keep my hopes up. Tapas used to be amazing and I hope it can become amazing once again.
Until then, I'll be on webtoons ^^

You don't think that's been asked? When I did, this is all I got. It's not a answer that instills confidence that things will get better the quick, easy, and overall better way.