11 / 11
Sep 2021

The main character in one of my stories is adopted by a witch, who dies in the fifth episode. I was wondering if four episodes were enough for the reader to become attached to her.

  • created

    Aug '21
  • last reply

    Sep '21
  • 10

    replies

  • 683

    views

  • 8

    users

  • 14

    likes

It depends on a lot of factors, how often is she there? Is it obvious she’s going to get killed off? How long are the episodes?

I'm not sure if it's obvious but she's introduced in the first episode and spends a lot of time with the main character. The episodes are really short, most don't pass 1k words in length.

If she spends a lot of time with the main character I think it would be easy for readers to become attached, and your episodes seem like they’re long enough for some meaningful interactions

In addition to the amount of pages & time spent with the other MC, the witch's personality has to be a huge factor. You kinda have to make her the sort of person doing the sort of things that people will think, "Wish my friends were like that." You might have to craft some scenes that are specifically devoted to portraying her positive, relatable or sympathetic facets.

Death can be a good inciting incidence for novels. For that reason, I think it is more important what comes after the death, than what comes before it.

If this person was important to your MC, make sure the impacts of her death are felt for a LONG time afterwards. The MC should continue to think about that person and the death should change them in some way or push them to do something they normally wouldn’t do.

In real life, people deal with grief by talking about it with others. In my novel, Nonconforming, the two protagonists share stories about a dead character quiet frequently as a way to bond and grieve. It is tempting to write a “brooding protagonist” who is so traumatized by the death of their loved one that they never talk about it, but I think this type of reaction rarely invests an audience. How can we feel what the MC is feeling if he never talks about it with others?

Consider the example of Inigo Montoya from the Princess Bride. He is a perfect example of a brooding MC out for revenge, but we care about his revenge, because he tells us over and over again what he is going to say when he meets the guy you killed his father. We never even meet the father in the context of the story, but we care that he died, because it informs all the decisions Inigo Montoya makes.

Depends a lot of the kind of story and tone WHEN and IF it's a good idea to kill off a character.

Does this death advance the story and does this death has an emotional impact on the readers? those two questions can be key to define if killing certain characters is a good idea.

I killed off a character without even showing his face until the death scene and it still made some of my readers get emotional. Basically the main character was rushing to save this person, they had a personal connection to. Even though I never showed the other character, the main characters' emotional attachment and desire to save them was enough for a reader connection to form.

What matters is that you make the other characters care about this person. If your characters care, your readers should also care.

It depends on how many scenes you make for the reader to get attached. If that character can make a good impression, something just one episode may be enough, and then you build the rest with flashbacks for example. Just the fact your protagonist is adopted by her, elevates the character above others.

What kind of reaction from the reader are you hoping to get by killing this character?