My biggest trial is to edit, not re-write with NTN. It's been going on for years, so naturally my writing style's changed over the years. The most I try to do is edit it and make it somewhat consistent within itself - of phrasing, clarifying things, or sometimes just adding more thoughts. There's some parts where originally (chapters online) where I spend a lot of time with MC#2's thoughts without going into what is MC#1 thinking. That was primarily during a period where I had really warmed up to #2 but I had lost the sense of "evenness" that having two MC's requires. It's a juggling aspect I haven't really had to deal with before.
I think I reread too much? IDK, I want to put out good work that I can eventually print, but then I end up getting desensitized to it and it feels stale to me I don't know if it's good or funny or if my characters are boring and then I start to doubt the direction of the whole thing. I'm trying to avoid this by keeping up with my thumbnails and moving on to new scenes I'm excited for, but then it gets to the point where I really want to share that new stuff with others but it won't be out for potentially years.
@MossyRabbit Danm. I totally can relate to this so I know exactly what it feels like. as for prints I think that boat has sailed for me. I dont think I'd be ever interested in making my book in print unless its a children's book which I have been thinking heavily on. I just feel like no a days everything is digital and its easier that way. I'm not trying to discourage you or anything. print is good. just expensive and thats why I haven't moved forward to do anything.
I don't reread old episodes as often as i used to but often times I'll go back if I'm feeling myself fall into a slump, where I maybe feel I'm not growing so that I can see how much I've improved over time. I imagine when I start work on other projects I'll be doing it a lot more often to double check quality and consistency but also for the same reasons as always.
I'm in the early pages of my current comic, but because it's a very hard reboot of an older comic I drew about like.... ten years ago1 and even printed as small press books etc. I naturally went back and read through it to get a sense for what I'd done well and poorly, and what elements I should try to keep or remove.
It was pretty rough going, because me in my early twenties was clearly a lot more impatient, with lazy, sparse backgrounds, unflipped artwork (ughhh), not particularly well thought out palettes and...er....pretty much just making up the story as she went along.
All that said, I actually laughed at a lot of the jokes, I thought some of the action scenes still held up, with good timing and flow and clear sequencing, and generally I could follow what was happening, it was just that what was happening wasn't really all... going towards a conclusion.
So here's the point I'm driving at: Past me reread her comic a lot because she cared about continuity with past pages. "Does Sarin still have those injuries? Who has their sword out on this page? Where is everyone in relation to each other?" and yes, that is something I still care about a lot. BUT: Current me also regularly re-reads her script that she made of upcoming pages and chapters (past me pretty much just wrote bullet points, and they were of what the reader needed to learn about the setting and characters, not what needed to happen to move the plot), and her thumbnails, which aren't drawn just three or four pages ahead; the entire ~30 page (I allow myself some leeway to add or cut on a small level, sometimes you only realise you need an extra page or to change a couple of pages when you're drawing them full size) chapter is thumbnailed. I have more of a mindset where I've already made the story and can re-read it a bunch to check continuity, but I haven't drawn the pages in their presentation form yet.
If you keep painting yourself into corners, I can relate a lot. I used to do it all the time.
I found that studying story structure, and thinking of story as a predetermined framework of key "beats" I need to hit, so should block in first, then fill in how to get from one to the next, was really helpful. I absolutely swear by the book "Save the Cat!" by Blake Snyder for understanding how screenplays (which have similar pacing to comics) work on a mechanical level.
Reading back is great for keeping visual continuity, but to make sure your story stays on course, it's helpful to be able to read ahead too.
That reminds me that if I haven't written something new in a while, or I'm in a creative slump, I go back and read the last chapter+current chapter. Or the last 10 pages. Depends on my mood. But I always think it's fun to just sit back and read and turn off the "you must edit this or diiiieeeee" portion of my brain. Sometimes I'll catch jokes I didn't realize were jokes when writing.
oh, yeah. while i was working on twaw i'd reread it every few chapters when i got started writing, to get a feel for the flow of the story, and id always reread the previous chapter before getting started on a day of writing or drafting.
but NOW ITS FINISHED ive reread it several times - first while putting together the omnibus, then while making an abridged version. its funny, now its finished i feel very differently about older pages; i can appreciate them for what they are. some of the early stuff is actually fabulous. a lot of it isnt, but i can appreciate what i was trying to do, and it doesnt disgust me like it used to.
though there are some chapters in the middle i still think are ridiculously long and can only skim.
I reread my first comic, Nova & Max and well, yeah I rushed to the entire story and didn't really listen to what my fiancee was saying about slowing it down until it was near the end. That's why I decided to not rush the second comic. Take my time, writing it. Which by the way, still haven't drawn anything at all. I need to stop procrastinating .
I occasionally find time to trawl through my old work and see how it's doing! I also like to re-read the beginnings of my comic to see if I've already foreshadowed/introduced a plot point yet, as I am forgetful and often don't realize I'm repeating myself. Or on the contrast, bringing up something out of the blue!
My first season is a little rocky. It tried to be a 3 panel, long form comic, and the format evolved rapidly and experimentally, not always in the best directions. There are good pages in season one though, but the my favorite stuff starts in season 2 and forward. It helps I have a co-author, but I really find the writing (with exceptions of course) has landed right about where I wanted.
I like my comic's writing style. Still hasn't found a wide audience but hey, at least I like it
I'm waiting to have more pages to really sit down and re-read it, it's all too fresh in my mind currently. But I did re-read my basic story event notes just yesterday, start to finish, ironing out any old notes that I forgot to update!
The little mistakes make me wince, but I try to remind myself that it's best finished than perfect and never done. And it's way more enjoyable to ride the wave of joy when I'm reading events that I REALLY want to happen and I'm just as excited for them as I was when I first wrote them.
I have! I read it when I got a little down because I thought maybe I'm not growing at the rate I want because my story isn't good, but honestly? I re-read it and I loved my story- found a lot of typos -cough- but I was happy to find that I genuinely enjoy my story and found myself excited to share what's all going to happen next.
I've gone back and changed things, but I love my story tbh. The art is a little scary in chapter one, but hey people stuck with me through that, so I can forgive myself for it.
I did it recently, I do this on occasion because I miss comments because tapastic will not notify me of all the comments that have been left on my pages.
I thoroughly enjoyed myself.
Sure there were things that I could have done better or fixed, mostly in concerns to word balloons, but aside from that it was really enjoyable and I'm pretty happy with it, and I was pretty proud that I was able to draw all of this (even if some panels look 'off' because I was having trouble drawing a certain angle or expression)